The Show

Trey wrote and directed his first feature film, Cannibal! The Musical, while attending the University of Colorado in Boulder. A few years later, he co-created the hit animated series South Park with Matt Stone (his college friend and Cannibal! producer). Debuting on Comedy Central in 1997 and currently in its 26th season, South Park has won five Emmy Awards as well as the coveted Peabody Award. The same year South Park debuted, Trey wrote, directed, and starred in the film Orgazmo. Two years later, Trey and Matt released the critically acclaimed feature film South Park: Bigger, Longer & Uncut: the Musical which Trey directed and co-wrote, earned an Oscar nomination for Best Song and the first ever New York Film Critics Circle Award for Best Animated Film. In 2004, the pair returned to movies with Team America: World Police, an action movie co-written and directed by Parker, starring a cast of marionettes. It was a long-time dream of Trey’s to write a musical for Broadway. Parker is originally from Conifer, Colorado.

Robert Lopez is the co-creator of the smash hit, Tony award-winning Broadway musicals Avenue Q and The Book of Mormon. Along with his wife and collaborator Kristen Anderson-Lopez, he wrote the songs for Disney’s Frozen, (Oscar and Grammy wins), Frozen 2, and adapted Frozen for Broadway. Lopez and Anderson-Lopez also co-wrote the Oscar-winning song Remember Me from Pixar’s Coco. They’ve written songs for Marvel’s WandaVision (Emmy win), the Obamas’ We the People, as well as an original musical Up Here, the score for Disney’s Winnie the Pooh and Finding Nemo: The Musical. Lopez shared two Emmy Award wins for his music for Nickelodeon’s The Wonder Pets and Emmy nominations for the musical episode of Scrubs and the song Moving Pictures, which opened The 87th Academy Awards. His work has also been featured on TV shows including South Park, The Simpsons and Phineas and Ferb. Lopez is one of only 15 artists to win all four major entertainment industry awards (Emmy, Grammy, Oscar and Tony Awards). He has also won Drama Desk, Outer Critics Circle, Drama League, Lucille Lortel, Frederick Loewe and Edward Kleban awards. A graduate of Yale, Lopez now resides in Brooklyn with his wife and two daughters. Thanks Buzzetti, Mom, Dad, Billy, Katie, Annie and especially Kristen for all the love and support.

Matt Stone met Trey Parker at the University of Colorado, and together they made a short animated piece called The Spirit of Christmas. This launched their most recognized work, the critically acclaimed and award-winning television show South Park. The animated series is in its 26th season on Comedy Central and has won Stone five Emmy Awards and the coveted Peabody Award. South Park: Bigger, Longer & Uncut, which Stone produced and co-wrote, earned an Oscar nomination and the New York Film Critics Circle Award for Best Animated Film. In addition to South Park, Stone has partnered with Parker on the low-budget Cannibal! The Musical, the superhero comedy Orgazmo and the marionette action thriller Team America: World Police. Stone is originally from Littleton, Colorado.

Two-time Tony Award winning Director-Choreographer, Casey Nicholaw, is currently represented on Broadway as director/choreographer of Disney’s Aladdin (2014 Tony®, Drama Desk and Outer Critics Circle award nominations for Best Choreography), and co-director/choreographer of The Book of Mormon (2011 Tony®, Drama Desk and Outer Critics Circle awards for Best Co-Director and nominations in the same categories for Best Choreography); Olivier Award winner for Best Choreography. Other notable Broadway credits as director/choreographer: Some Like It Hot (2023 Tony® and Drama Desk awards for Best Choreography, Outer Critics Circle Award nomination in the same category, Tony® nomination for Best Direction); The Prom (2019 Tony® nomination for Best Direction); Mean Girls (2018 Tony® nominations for Best Direction and Choreography); Tuck Everlasting; Something Rotten! (2015 Tony®, Drama Desk and Outer Critics Circle award nominations for Best Direction and Choreography); Elf: The Musical; The Drowsy Chaperone (2006 Tony® and Drama Desk award nominations for Best Direction and Choreography; Outer Critics Circle Award nomination for Best Choreography); Monty Python’s Spamalot directed by Mike Nichols (2005 Tony®, Drama Desk, Outer Critics Circle award nominations for Best Choreography). Currently represented on the West End as director/choreographer of Mean Girls, and co-director/choreographer of The Book of Mormon. Other notable West End Credits as director/choreographer: The Drowsy Chaperone; Dreamgirls, and Aladdin. Represented internationally as the director/choreographer of the world premiere of Disney’s Hercules in Hamburg, Germany. Film and TV credits include: The Prom (choreographer); Trolls (choreographer); “Smash” (director, S2 E7).

Scott has received Tony Awards for The Book of Mormon; The Coast of Utopia and The Pillowman. Selected Broadway Credits: Gutenberg!; Grey House; Shucked; Some Like It Hot (both Tony Nominated in 2023); Ain't No Mo’; American Buffalo (Tony Nom.); The Prom; The Band’s Visit; Mean Girls (both Tony nominated in 2018); Waitress; An Act of God; It's Only a Play; Pippin (Tony Nom.); A Behanding in Spokane; The Lieutenant of Inishmore; I’ll Eat You Last; HAIR; Pal Joey (Tony Nom.); A Steady Rain; Nine; Promises Promises; Speed The Plow; Sweet Charity; and Urinetown. London/UK: Mean Girls; The Book of Mormon; Waitress; HAIR; The Playboy of the Western World; The Country Girl; Love Song; On an Average Day (all West End); Tales From Hollywood, Take Me Out, The Same Deep Water as Me (Donmar Warehouse), Local Hero (Royal Lyceum, Edinburgh). Also - Peter Grimes (Metropolitan Opera) and Cirque du Soleil’s Amaluna. Netflix: Oh, Hello, John Mulaney-Kid Gorgeous at Radio City, John Mulaney- Baby J., Hasan Minhaj- The King's Jester (ADG nom), Cirque du Soleil's Amaluna. Insta @scottpaskstudio @casapask

Ann Roth is a Tony Award-winning Costume Designer with more than 100 theatre design credits. Select designs include the original Broadway productions of The Odd Couple; Purlie; Seesaw; The Best Little Whorehouse in Texas; They’re Playing Our Song; Hurlyburly; The House of Blue Leaves; The Book of Mormon and The Nance (Tony Award). Film credits include: The English Patient (Academy Award); The Post; Julie & Julia; The Reader; Doubt; MAMMA MIA!; Cold Mountain; The Hours; The Talented Mr. Ripley; The Birdcage; Klute; Working Girl; Silkwood; 9 to 5; Hair and Midnight Cowboy. Roth was inducted into the Theater Hall of Fame in 2011.

The 70 plus shows he designed lighting for on Broadway; include Death of a Salesman; starring Philip Seymour Hoffman and directed by Mike Nichols; The Book of Mormon (Tony Award). The Coast of Utopia; Joe Turner’s Come and Gone; Frankie and Johnny in the Clair de Lune; Fences; A Behanding in Spokane; Race; The Pillowman; Urinetown; and Into the Woods. In addition to 5 Tonys; his awards include an Obie Award for Sustained Excellence; a Bessie Award; and others. For dance; The Joffrey Ballet; American Ballet Theater; Tere O’Connor Dance; Merce Cunningham; Lar Lubovitch; Nancy Bannon; and many others. His designs for the Metropolitan Opera include The Enchanted Island and Doctor Atomic. Mr. MacDevitt recently directed Between Riverside and Crazy for Studio Theater in Washington DC; Proof for Theater Three in New York and Spring Awakening at The Clarice Smith Center in Maryland. Mr. MacDevitt is on the Faculty of University of Maryland a member of the Naked Angels Theater Company.

Brian has designed the sound for over 45 shows on Broadway and 5 productions on the West End. Some are The Great Gatsby, Some Like It Hot, Funny Girl, Mrs. Doubtfire, Tootsie, Mean Girls, Springsteen on Broadway, The Prom, Beautiful, The Book of Mormon, Anything Goes, American Idiot, Promises, Promises, Next to Normal, Curtains, Spring Awakening, Sting’s-The Last Ship, and Sam Mendes’- Cabaret. Regionally Brian has designed in most of the America’s top regional theatres. Brian is the fortunate recipient of the Obie, Lucille Lortel, two Drama Desks, an Olivier and two Tony awards. His career has spanned North America, Europe, Australia and Asia and has allowed him to work with the most talented composers, directors, designers, actors, musicians and stagehands in the world for which he is eternally grateful.

Broadway: Frozen; Kinky Boots (2013 Tony Award for Best Orchestrations and 2013 Grammy Award); The Book of Mormon (2011 Tony and Drama Desk Awards for Best Orchestrations and 2012 Grammy Award). Worldwide Music Supervisor/Arranger of Wicked; Music Supervisor/Vocal Arranger/Orchestrator of Broadway productions/tours of The Book of Mormon; Avenue Q; All Shook Up and 9 to 5: The Musical. Other credits: Music Supervisor; Vocal Arranger and Orchestrator: tick, tick… BOOM!; Vocal Arranger and Conductor for the Oscar-winning Disney film Frozen (as well as upcoming Frozen 2); String Arrangement/Conductor for Lady Gaga’s two Oscar-nominated songs I’ll Never Love Again from A Star Is Born; as well as Till it Happens To You from The Hunting Ground. TV credits include: Music Director of “The 87th Annual Academy Awards” telecast; “The Wiz: Live!” on NBC and “Rent Live!” on FOX.

NY/London: Some Like It Hot; The Prom; Pretty Woman; Mean Girls; Present Laughter; Dreamgirls; Paramour; Tuck Everlasting; School of Rock; Something Rotten!; Aladdin; Kinky Boots; The Book of Mormon; Trip of Love; First Date; Elf: The Musical; Dogfight; The Best Man; Look Back in Anger; The Drowsy Chaperone; Pig Farm; The Great American Trailer Park Musical; Altar Boyz; Show Boat at Carnegie Hall; Mamma Mia!; Encores!; Call Me Madam; Most Happy Fella; & Follies. West Coast: Robin & the 7 Hoods; Peep Show; Minsky’s; Vanities. Television: The Slap; 30 Rock; SNL.

Pippa has cast over 200 productions internationally. Natalie has worked alongside her for 19 years. Current West End: Hello Dolly; Mean Girls; MJ, The Musical; Frozen; Moulin Rouge!; TINA: The Tina Turner Musical & UK Tour; The Book Of Mormon; The Lion King. Current UK Tours: Dear Evan Hansen; Come From Away. Casting includes: The Sound of Music; Rock Follies; Tammy Faye; Ain’t Too Proud: The Life and Times of the Temptations; Get Up Stand Up! The Bob Marley Musical; Disney’s Beauty and The Beast; On Your Feet!; Dreamgirls; Funny Girl; Gypsy; Guys and Dolls; Pajama Game; Sweeney Todd, The Demon Barber Of Fleet Street; Kiss Me Kate; Love Story; Sunny Afternoon; Motown; Here Lies Love; Spring Awakening; Charlie and the Chocolate Factory - The Musical; Porgy and Bess; Memphis; Bend It Like Beckham; Legally Blonde; Wicked; Billy Elliot; We Will Rock You: Fela!; American Psycho; Into The Woods; Midsummer; Great Expectations; Mandela; Tree; Twelfth Night; Far Away. Film Dance Casting: Rocketman; Wonka; Disney’s Snow White. Future West End: Natasha, Pierre and the Great Comet of 1812; Disney’s Hercules. Awards: Come From Away Casting Director Guild award 2020; Spring Awakening What’s On Stage Award 2023.

Larry’s career spans 40 years as an Arranger/Composer for theatre, film, recordings and television. Broadway: 18 shows including The Book of Mormon (Tony Award, Drama Desk Award); The Prom; Hello; Dolly! (Outer Critics Circle Award); She Loves Me (Drama Desk); Something Rotten!; The Scottsboro Boys; The Addams Family; Pippin; Spamalot. Other Awards: 8 Tony nominationS, 7 Drama Desk nominations. Television: The Wonder Pets! (5 Emmy Awards as composer). Twenty-five regional and Off-Broadway shows. Eighteen films including various Disney and The Informant! (Marvin Hamlisch). Recordings/Concerts: Paul McCartney; Eric Idle; Barbra Streisand; Hugh Jackman; Audra McDonald; Barry Manilow; New York Philharmonic.

Glen Kelly was the Music Supervisor and Arranger for The Producers; Young Frankenstein; and Bullets Over Broadway. He arranged the music for Some Like It Hot; Spamalot; The Drowsy Chaperone; Mean Girls; The Prom; Aladdin; Beauty And The Beast; Something Rotten!; A Christmas Story; and The Scottsboro Boys; among others. He won the New York Drama Desk for his original score to The Nance.

Nick is currently the UK Musical Supervisor for The Book of Mormon London; Musical Supervisor, Vocal and Music Arranger for Back to The Future London, Broadway, and US Tour; and the Associate Musical Supervisor for Mamma Mia! London. Previous work includes; Two Strangers (Carry A Cake Across New York) – Musical Supervisor; The Time Traveller’s Wife – Additional Music/Arranger/Musical Supervisor; Dreamgirls (UK Tour); The Book of Mormon (UK Tour 2019) - Musical Supervisor; Dreamgirls (London) - Musical Supervisor/Conductor; Memphis (London); Avenue Q (UK Tour); Les Misérables (UK Tour 2009)- Musical Supervisor; Jersey Boys (London) - Associate Musical Supervisor. Musical Director: The Book of Mormon (Prince of Wales); Jersey Boys (London); Avenue Q (Noel Coward) Victoria Wood’s Acorn Antiques (Theatre Royal Haymarket); Mamma Mia! (London); Tonight’s The Night (Victoria Palace); Tell Me on a Sunday (Gielgud); Rent (Shaftesbury); Stairway to Heaven (Kings Head); Kiss Me Kate (Norwich Playhouse). Cast Album Recordings: The Time Traveller’s Wife (Co-Producer & Musical Supervisor); Back To The Future (Original London Musical Supervisor); Dreamgirls London (Musical Director); Memphis London (Musical Director); Acorn Antiques and Tell Me on a Sunday. He graduated from the Guildhall School of Music and has a postgraduate diploma in Advanced Instrumental Studies (Piano).

Danny is a Musical Director, Pianist, Organist and Keyboard Player with a wide-ranging experience playing and conducting theatre shows throughout the UK and internationally. Playing for BBC and ITV, he's appeared on national television and radio and has also recorded for large-scale record labels in the USA. Training: Goldsmiths, University of London. Theatre Credits include: Everybody's Talking About Jamie UK Tour and West End (Peacock Theatre); The Cher Show (UK Tour); Hairspray! (UK Tour); On Your Feet! (London Coliseum); Mamma Mia! UK and international Tour; Blood Brothers UK Tour; Joseph and the Amazing Technicolour Dreamcoat (UK Tour); American Idiot (UK Tour - Associate Musical Director); This is Elvis! (UK Tour - Associate Musical Director); Brokeback Mountain (Soho Place Theatre); Snow White and the Seven Dwarfs (Sheffield Lyceum). Other Credits include: ITV's Tonight at the London Palladium; BBC Radio Berkshire Choir; BBC Armed Man Project; Celebrity Cruises; P&O Cruises; Phase Music USA (Recording Artist).

Jennifer is currently the Supervising Associate Director of The Book of Mormon Worldwide. Also Broadway associate director The Cottage; Follies and The Most Happy Fella (Encores!). Regionally, she has directed and/or choreographed extensively for the Maltz Jupiter, Paper Mill, North Carolina’ Ogunquit, Casa Manana, and Engeman Theaters. Her diverse body of work as a Choreographer includes NFL national commercials, ABC’s Upfronts, and The Drama League Awards. Choreography Off-Broadway: Bloodsong of Love (Ars Nova); The Plant That Ate Dirty Socks (Lucille Lortel); ReWrite (Urban Stages) and Things to Ruin (Second Stage); as well as The Black Suits (CTG/LA). Director/choreographer Broadway Bounty Hunter (Greenwich Theater/Off Broadway); Punk Rock Girl (licensed and published by Concord Theatricals/Lively McCabe/BMI Music), and the upcoming premier of Girls Just Want to Have Fun.

Alison is Associate Director on The Book of Mormon (West End & UK/International Tour) and Mean Girls. Directed/Choreographed: Dolly Parton’s Smoky Mountain Christmas Carol (Southbank Centre), Disney’s Beauty and the Beast (5 year UK Tour), SpongeBob Squarepants the Musical (Stratford & UK Tour), Snow White & the Seven Dwarves (Wycombe Swan & Churchill, Bromley), Robin Hood (Palace, Mansfield), Cinderella (Churchill, Bromley), Aladdin (Churchill, Bromley), Singin’ in the Rain (UK Tour), Spamalot (Melbourne Australia & Cologne, Germany), Chicago (Marrakech & Turkey), Sleeping Beauty (Churchill, Bromley), English Heritage Awards (Palace Theatre). Associate Director: Dreamgirls (Savoy & UK Tour), Love Never Dies (Adelphi), Chicago (Adelphi, Cambridge and Garrick), Monty Python’s Spamalot (Palace), My One and Only (Piccadilly), Rent (Prince of Wales & UK Tour), Napoleon (Shaftesbury), Beauty and the Beast (Dominion & UK Tour), Showboat (Prince Edward), Tommy (Shaftesbury & UK Tour), Ain’t Misbehavin’ (Lyric), The Rocky Horror Show (Victoria Palace, UK Tour & European Tour), Barnum (UK Tour). Choreographed: Eastenders (BBC) 3 episodes, High Spirits (Bridewell), After the Fair (King’s Head), Me and My Girl, Boyband, Aspects of Love and Carousel (Palace, Westcliff). Alison is Artistic Consultant at D&B Academy of Performing Arts and has directed Legally Blonde, 25th Annual Putnam County Spelling Bee and A Chorus Line at the college. Alison recently directed Company at Guildford School of Acting.

Resident/Associate Credits: Resident Director for The Book of Mormon (Two UK and International Tours); Wicked (International Tour; and UK and Ireland Tour); Charlie and The Chocolate Factory (UK Tour); Shrek the Musical (UK and Ireland Tour 2014-16); Chicago (UK Tour 2009); Resident Director/Choreographer Rock of Ages (Shaftesbury; Garrick); Associate Director/Choreographer Rock of Ages (UK Tour 2014); Associate Choreographer for The Producers on behalf of Susan Stroman (Productions in London; Atlantic City; Vienna; Berlin; UK Tours and USA Tours). Choreography Credits: Hotel Lux (Feature Film; Bavarian Pictures); Paul O’Grady Live (ITV). The Wizard Of Oz (Southampton/4 Years US National Tour and Madison Square Gardens; NYC); Mary Poppins (Cambridge; Ontario). West End Performing Credits: The Producers (Original cast; Drury Lane); Anything Goes (Drury Lane); Lucy in Oklahoma! (Original cast; National/Lyceum/film); Hunyak in Chicago (Adelphi); Disney’s Beauty and the Beast (Original cast; Dominion); Singin’ in the Rain (National); My One And Only (Original Cast; Chichester Festival/ Piccadilly); On The Town (ENO); Fame (Cambridge); Of Thee I Sing (European Premiere; Bridewell). Also various live TV performances.

Ben trained at the Hylton Bromley Theatre School before making his West End debut aged 18 in Disney’s Beauty and The Beast (Dominion). Upcoming and recent work includes: UK Associate Director & Choreographer for Disney’s Hercules (West End 2025); Associate Director on Disney’s Aladdin (Korea/Madrid/US Tour/Holland/West End); Associate Choreographer for Mean Girls (West End); The Book of Mormon (West End and International Tour); Disney’s Hercules (Hamburg); Disney’s Aladdin (West End, Sydney & Hamburg); Assassins (Menier Chocolate Factory); The Bodyguard (West End); Sister Act (Broadway, Hamburg, UK Tour). As Resident Choreographer Monty Python’s Spamalot (West End); Dance Captain on Guys and Dolls (Donmar); Chicago (Adelphi); Chitty Chitty Bang Bang (London Palladium). Ensemble/Swing: Starlight Express (Apollo Victoria). Film credits include: Assistant Choreographer for Disney’s Beauty and the Beast; Disney’s Cinderella; Herod Boy in Jesus Christ Superstar – The Movie. Choreographer: Royal Variety Performance 2015 (Royal Albert Hall). As Mass Movement Choreographer: London 2012 Olympic and Paralympic Opening/Closing Ceremonies and Sochi 2014 Winter Olympics Opening Ceremony.

Matt left the Bristol Old Vic Theatre School in 1989 and began working in stage management for the Cambridge Theatre Company; Manchester Royal Exchange and the RSC. He also stage managed tours including Tommy and Crazy for You before moving into production management. West End: MJ – The Musical; To Kill A Mockingbird; Moulin Rouge!; Waitress; Come From Away; Strictly Ballroom; Ink; Knives in Hens; The Ferryman; Dreamgirls; The Go Between; Mr Foote’s Other Leg; The Vote; Beautiful; Made in Dagenham; The Commitments; The Book of Mormon; Quartermaine’s Terms; The Bodyguard; A Chorus of Disapproval; The Sunshine Boys; Master Class; Much Ado About Nothing; The Wizard of Oz (Palladium); Private Lives; Legally Blonde; La Bête; Priscilla Queen of the Desert; The Sound Of Music; Kiss Me, Kate; Bombay Dreams; Acorn Antiques; Smaller; Tonight’s the Night and Movin’ Out. Other theatre: Dynamo Live UK Tour; Monty Python Live (o2 Arena); Troilus and Cressida; A Month in the Country; The Dispute and Tantalus (all for the RSC). Number One tours: Come From Away; Wicked; Dreamgirls; The Book of Mormon; Matilda; Billy Elliot; Ghost the Musical; The Sound of Music; Grease; Cats; Saturday Night Fever; The King and I; Starlight Express; Fosse and Chicago. International: Matilda (Japan and Tel Aviv); Moulin Rouge! (Cologne); The Doctor; Tina – The Tina Turner Musical; Matilda (South Africa); Strictly Ballroom (Toronto); Wicked (International); Blue Man Group World Tour; We Will Rock You (International); Henry IV (St. Ann’s Warehouse); Mamma Mia! (International tour); The Sound of Music (Cape Town); Batman Live (World Arena tour); Priscilla Queen of the Desert (Sao Paulo); Cats (Sao Paulo).

Founded by Ben Canning and Simon Woolley, New Road Theatricals provides general management, executive producing and tour booking services for productions of every scale and every stage of development in the West End, regionally and internationally. Current and recent productions include the Olivier Award-winning National Theatre production of Dear England (West End, General Manager); Bhangra Nation: A New Musical (Birmingham Rep, General Manager) and Starter for Ten: A New Musical (Bristol Old Vic, Consultant General Manager).

www.newroadtheatricals.com

TT PARTNERS (General Manager) is led by David Turner, Rebecca Habel, Adam Miller and Joe Baker. Current Broadway: Illinoise and The Book of Mormon. TTP also consults on the worldwide productions of The Book of Mormon and Mean Girls. Previous Broadway productions include Merrily We Roll Along, Patriots, The Shark is Broken, Leopoldstadt, Death of a Salesman, Company and Mean Girls.

Anne Garefino has been the Executive Producer for the Emmy and Peabody Award-winning television series South Park since the show began. She has produced two critically acclaimed films with Trey Parker and Matt Stone: South Park: Bigger, Longer & Uncut and Team America: World Police. Before moving to Los Angeles, she lived in Washington, DC, and worked for the public television station WETA-TV. During her tenure at WETA, she co-produced the In Performance at the White House series. The Tony Award-winning production of The Book of Mormon marked her Broadway debut. She began her career in entertainment at the Folger Shakespeare Theatre on Capitol Hill and is thrilled and honored to be working in theatre again. Garefino attended Boston College and the American Film Institute and is originally from Lambertville, New Jersey.

SONIA FRIEDMAN PRODUCTIONS (SFP) is an international production company responsible for some of the most successful theatre productions around the world. Since 1990, SFP has developed, initiated, and produced over 200 new productions and together the company has won 63 Olivier Awards, 48 Tonys and 3 BAFTAs. In 2019, Sonia Friedman CBE was awarded ‘Producer of the Year’ at the Stage Awards for a record-breaking fourth time. In 2018, Friedman was also featured in TIME 100, a list of Time Magazine’s 100 Most Influential People in the World. In 2017, she took the number one spot in ‘The Stage 100’, becoming the first number one in the history of the compilation not to own or operate West End theatres and the first solo woman for almost 20 years.

Current productions include: The Book of Mormon (West End); Harry Potter and the Cursed Child (West End, Broadway, Hamburg and Tokyo); Stranger Things: The First Shadow, a co-production with Netflix (West End); Mean Girls (West End); Stereophonic (Broadway); Here There Are Blueberries (New York Theatre Workshop); Funny Girl (US tour).

Forthcoming productions include: Harry Potter and the Cursed Child (North American tour); The Book of Mormon (UK & International tour 2024); Paddington - The Musical (UK); Juno and the Paycock (West End); Oedipus (West End); Shifters (West End); Fangirls (Lyric Hammersmith); The Hills of California (Broadway); Bust (Alliance Theatre); Millions (Alliance Theatre).

Previous theatre productions include: Merrily We Roll Along (Broadway); Patriots (Broadway); The Hills of California (West End); Lyonesse (West End); The Shark is Broken (Broadway, Toronto, West End); Dr Semmelweis (West End, Bristol Old Vic); Funny Girl (Broadway); Rodgers & Hammerstein’s Oklahoma! (West End, Young Vic); Patriots (West End, Almeida); New York, New York (Broadway); Harry Potter and the Cursed Child (Melbourne, Toronto, San Francisco); Leopoldstadt (Broadway, West End); Mean Girls (US tour, Broadway); The Secret Life of Bees (Almeida); To Kill a Mockingbird (West End); The Piano Lesson (Broadway); Merrily We Roll Along (New York Theatre Workshop, West End); Dreamgirls (UK tour, West End); The Book of Mormon (UK & Europe tour 2019-2022); Eureka Day (The Old Vic); Jerusalem (West End, Broadway, Royal Court); The 47th (The Old Vic); The Human Voice (West End); Maria Friedman and Friends: Legacy (West End); Fair Play (Bush Theatre); Anna X (West End), Walden (West End) and J’Ouvert (West End) as part of the Re:Emerge season; The Inheritance (Broadway, West End, Young Vic); The Comeback (West End); Uncle Vanya (West End); Fiddler on the Roof (West End); Rosmersholm (West End); The Ferryman (Broadway, West End, Jerwood Theatre); Ink (Broadway, West End); The Jungle (West End, Young Vic, San Francisco); All About Eve (West End); Summer and Smoke (West End); Consent (West End); The Birthday Party (West End); Farinelli and the King (Broadway, West End); 1984 (Broadway, West End); Our Ladies of Perpetual Succour (West End); Hamlet starring Andrew Scott (West End); Funny Girl (West End, UK tour); Don Juan in Soho (West End); Who’s Afraid of Virginia Woolf? (West End); Travesties (Broadway, West End); The Glass Menagerie (West End); Nice Fish (West End); The Haunting of Hill House (Liverpool Playhouse); A Christmas Carol (West End); Orestia (Almeida); Hamlet starring Benedict Cumberbatch (Barbican); Sunny Afternoon (UK tour, West End); Bend It Like Beckham (West End); The Nether (West End); The River (Broadway); Electra (The Old Vic); King Charles III (Sydney, UK tour, Broadway, West End); Shakespeare in Love (West End); Ghosts (Brooklyn Academy of Music, West End); Twelfth Night & Richard III (Broadway, West End); Mojo (West End); The Sunshine Boys (L.A, West End); Chimerica (West End); Nice Work If You Can Get It (Broadway); Old Times (West End); A Chorus of Disapproval (West End); La Cage aux Folles (US tour, Broadway, West End); Hay Fever (West End); Masterclass (West End); Absent Friends (West End); Legally Blonde (West End); Top Girls (West End); Private Lives (Broadway); Much Ado About Nothing (West End); Betrayal (West End); Arcadia (Broadway, West End); The Children’s Hour (West End); Clybourne Park (West End); A Flea In Her Ear (The Old Vic); A Little Night Music (Broadway, West End); Educating Rita (West End) and Shirley Valentine (West End) as part of The Willy Russell Season; The Prisoner of Second Avenue (West End); All My Sons (West End); La Bête (Broadway, West End); Prick Up Your Ears (West End); Othello (West End); After Miss Julie (Broadway); The Mountaintop (Broadway, West End); The Norman Conquests (Broadway); Boeing-Boeing (UK tour, Broadway, West End); A View From the Bridge (Broadway, West End); Dancing at Lughnasa (The Old Vic); Maria Friedman Re-arranged (West End); No Man’s Land (West End); The Seagull (Broadway); Under the Blue Sky (West End); That Face (West End); Dealer’s Choice (West End); Is He Dead? (Broadway, West End); Rock ‘n’ Roll (Broadway, West End); Hergé’s Adventures of Tintin (West End); Donkeys’ Years (UK tour, West End); In Celebration (West End); King of Hearts (Hampstead Theatre); The Dumb Waiter (West End); Love Song (West End); Bent (West End); Faith Healer (Broadway); Eh Joe (West End); The Woman in White (West End, Broadway); Otherwise Engaged (West End); A Celebration for Harold Pinter (West End); Shoot the Crow (West End); As You Like It (West End); The Home Place (West End); Whose Life Is It Anyway? (West End); By the Bog of Cats (West End); Guantanamo: ‘Honour Bound to Defend Freedom’ (West End); Calico (West End); Endgame (West End); Jumpers (West End); See You Next Tuesday (West End); Hitchcock Blonde (West End); Absolutely!{Perhaps} (West End); Sexual Perversity in Chicago (West End); Ragtime (West End); Macbeth (West End); What the Night is For (West End); Marc Salem: Mind Games (West End); Maria Friedman: Live (West End); Gagarin Way (West End); Afterplay (West End); Noises Off (Broadway, West End); Lobby Hero (West End); Up for Grabs (West End); A Day in the Death of Joe Egg (West End); On an Average Day (West End); Benefactors (West End); A Servant to Two Masters (West End); In Flame (West End); The Mystery of Charles Dickens (West End); Port Authority (West End); Speed-the-Plow (West End); Spoonface Steinberg (West End); Last Dance at Dum Dum (West End) and The Late Middle Classes (Watford Palace Theatre).

TV and digital productions include: as Co-Producer; Wolf Hall (BBC), Uncle Vanya (BBC), J’Ouvert (BBC), Walden (Sky Arts) and Anna X (Sky Arts); as Exec Producer: The Dresser (BBC), King Lear (BBC); as Producer: Dennis Kelly’s BAFTA-winning Together (BBC). Cinema productions include Uncle Vanya and Walden. SFP’s productions of Hamlet starring Benedict Cumberbatch, Who’s Afraid of Virginia Woolf?, All About Eve and Leopoldstadt have all been filmed for cinema release by NT Live. All About Eve, Hamlet and Leopoldstadt featured on NT at Home, and Hamlet on Amazon’s Great British Theatre series.

Recent productions include: South Pacific; Nice Work If You Can Get It; Annie; Cat on a Hot Tin Roof; Lucky Guy; Betrayal; Twelfth Night/Richard III; War Horse; Lucky Guy; Copenhagen; Kiss Me, Kate; Proof; Medea; Anna in the Tropics; Caroline, or Change; Wonderful Town; Doubt; The History Boys; Who’s Afraid of Virginia Woolf?; Faith Healer; Deuce; The Year of Magical Thinking; Curtains; Rock ’n’ Roll; Is He Dead?; Gypsy; 13; Equus; Ragtime; A Little Night Music; A Behanding in Spokane; Driving Miss Daisy; La Bête; Arcadia and Jerusalem.

Scott M. Delman is a theatre producer and investor. Over the past eight years; he has been involved in some 60 Broadway plays and musicals; which have received 33 Tony nominations and 14 Tony Awards.

Chimerica; Death of a Salesman (Tony Award); The Mountaintop (Olivier Award); The Motherf**ker with the Hat; August: Osage County (Tony Award; Pulitzer Prize); Our Town (Lortel; Obie Awards); Tribes (Drama Desk Award); Cock; as well as upcoming film adaptations of August: Osage County; Blackbird and Galveston.

Stephanie P. McClelland is the founder of Green Curtain Productions and is a multi-award-winning producer (13 Tony; 12 Drama Desk; 10 Drama League; 10 Outer Critics Circle; one Olivier Award). Credits include more than 90 theatrical productions worldwide. Represented on Broadway this season by The Book of Mormon and Hello, Dolly!.

In addition to representing Trey and Matt; Kevin Morris writes fiction. He is the author of the 2016 novel All Joe Knight (Grove Atlantic; 2016) and the collection of short stories White Man’s Problems (Black Cat Press; 2015). All Joe Knight was longlisted for the Center for Fiction First Novel Prize.

Tony Awards: Angels in America: Millennium Approaches (Pulitzer Prize) and Perestroika; Clybourne Park (Pulitzer Prize); Copenhagen; God of Carnage; The Book of Mormon and Death of a Salesman. Tony Award nominations: Wicked; Peter Pan; The Diary of Anne Frank; Hello, Dolly!; The Lonesome West; You’re Welcome America; Man of La Mancha; A View from the Bridge; The Motherf**ker With the Hat; Jerusalem; Venus in Fur and Nice Work If You Can Get It. Off-Broadway: Cock. Tours: Wicked and The Book of Mormon. 2012 Robert Whitehead Award for Outstanding Achievement in Commercial Theatre Producing.

Robert G. Bartner produces frequently in the West End and on Broadway and his works have garnered five Olivier Awards; seven Tony Awards and two Pulitzer Prizes. West End: Mojo; Chimerica; The Audience; A Chorus Line; The Bodyguard; Uncle Vanya; Richard III/Twelfth Night starring Mark Rylance; A Chorus of Disapproval; Long Day’s Journey into Night; Sweeney Todd; Betrayal; Flare Path; Clybourne Park (Olivier Award); Enron; All My Sons; Yes, Prime Minister; La Bête; Jerusalem; Legally Blonde (Olivier Award); The Misanthrope; The Mountaintop (Olivier Award); La Cage aux Folles (Olivier Award); Company; Rock ’n’ Roll; Guys and Dolls (Olivier Award) and Porgy & Bess. UK tours: Cats; Priscilla Queen of the Desert; Yes, Prime Minister; Spamalot; West Side Story and Flashdance. Broadway: Cat on a Hot Tin Roof; Porgy & Bess (Tony Award); The Book of Mormon (Tony Award); Jerusalem; The Motherf**ker with the Hat; Memphis (Tony Award); La Cage aux Folles (Tony Award); A View from the Bridge; The Norman Conquests (Tony Award); The Seagull; Boeing-Boeing (Tony Award); Company (Tony Award); Sweeney Todd and Anna in the Tropics (Pulitzer). Off-Broadway: Wit (Pulitzer). He thanks M. Beverly and the family for their love and support.

Norman Tulchin’s productions have garnered five Olivier Awards and six Tony Awards. Broadway: Cat on a Hot Tin Roof; The Gershwins’ Porgy & Bess (Tony Award); The Book of Mormon (Tony Award); Jerusalem; The Motherf**ker with the Hat; La Cage aux Folles (Tony Award); A View from the Bridge; The Norman Conquests (Tony Award); Exit the King; The Seagull; Boeing-Boeing (Tony Award); Company (Tony Award); Sweeney Todd; Vincent in Brixton and Fortune’s Fool. Off-Broadway: Trying. USA tours: The Book of Mormon (Chicago and national touring companies); La Cage aux Folles; South Pacific and 9 to 5: The Musical. West End: Mojo; Chimerica; The Audience; A Chorus Line; The Bodyguard; Uncle Vanya; Richard III/Twelfth Night starring Mark Rylance; A Chorus of Disapproval; Long Day’s Journey into Night; Sweeney Todd; Flare Path; Clybourne Park (Olivier Award); La Bête; Jerusalem; Legally Blonde (Olivier Award); The Mountaintop (Olivier Award); La Cage aux Folles (Olivier Award); Guys and Dolls (Olivier Award); Porgy & Bess; Hitchcock Blonde and Whose Life Is It Anyway? UK Tours: Cats; Priscilla Queen of the Desert; Spamalot; West Side Story and Flashdance. Additionally; Tulchin is now preparing a film based on the Royal Court production of I Just Stopped by to See the Man by Stephen Jeffreys.

Stuart Thompson was a six-time Tony Award-winning producer and general manager. He produced the three longest running plays on Broadway of the past 26 years: Proof; The Tale of the Allergist’s Wife and The Curious Incident of the Dog in the Night-Time. Select Broadway: Mean Girls; Sweat (2017 Pulitzer Prize for Drama); Six Degrees of Separation; The Present; King Charles III; No Man’s Land/Waiting for Godot; Cat on a Hot Tin Roof (2013); Death of a Salesman (2012); Jerusalem; The Motherf**ker with the Hat; A View from the Bridge (2010); Fences (2010); Lend Me a Tenor (2010); Next Fall; God of Carnage; Exit the King; You’re Welcome America; The Year of Magical Thinking; Three Days of Rain; Doubt; Caroline, Or Change; The Retreat From Moscow; Life (x) 3; The Play What I Wrote; Take Me Out; Amy’s View; Closer; The Blue Room; The Chairs; Art; The Old Neighborhood; Skylight; Master Class; Blood Brothers; Tru and A Few Good Men. West End: No Man’s Land and King Charles III. Additionally; he served as Executive Producer for the US companies of The Book of Mormon and co-produced the West End and Australian productions.